Beloved movie star Tom Hanks, who got his big break playing the comic servant in a Cleveland production of "The Taming of the Shrew," pays his debt by helping inner-city children in Los Angeles experience the Bard free.
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Recent Oscar winner Leonardo DiCaprio taught his fans that parting is such sweet sorrow in Baz Luhrmann's flashy 1996 film "Romeo + Juliet." Denzel Washington has twice put his movie career on pause to do "Julius Caesar" and "Richard III" in New York. CNN recently unearthed footage of a 14-year-old Jennifer Lawrence tackling Desdemona in a Louisville community theater's stab at "Othello."
The oddest thing about movies in 1996 has proved to be the way Hollywood apparently listened to its toughest critics. As the year unwound, the big-name studios were doing terrific business with product that few esteemed. Twister, Mission:Impossible and Independence Day dominated the summer and shattered records. But their technical excellence far surpassed their artistic merit. A lot was written about the retreat of the business from making box-office pictures that also won raves and Oscar nominations. I'm thinking of a mainstream that stretches from Gone With the Wind through Casablanca, The Best Years of Our Lives, and All About Eve to The Apartment, the Sound of Music, The Godfather and Schindler's List. All of those won Best Picture in their day and filled theatres. Schindler's List played only a modest number of theatres, maybe, but it has just had its American network TV debut (without commercials - Ford sponsored the whole event, and never asked for so much as a red car on the streets of Krakow) and an audience of 65 million. 2ff7e9595c
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