25. Uploading torrents in Japan can landyou in prison for up to 10 years: Some countries are a bit more determinedto get to rid of piracy compared to others. For instance, the anti-piracy lawsin Japan can land you in prison for two years if caught downloading illegaltorrent, and for ten years if found uploading the same. Germany, India, and theUS are some of the other countries which impose heavy penalties underanti-piracy laws.
Drake - Nothing Was The Same Torrent
Alternatively, you can choose to download a torrent file. This contains all the information about where these books are located. In other words, it contains details of computers of people who have already downloaded these audiobooks, so you can connect to them and do the same. These people are known as seeders.
A topic as a reply to my statements? Should I feel flattered or am I just being exposed as the biggest douchebag on this blog? Anyway, the reason why I didnt reply in previous topic is that I didnt feel that the feedback provided me with the material that I could find useful for reforming my aesthetic criterias and judgements. And I think theres a philosophical or even cultural (as Reid mentioned) gap between us that will prevent us from reaching the same point. In previous topic, you made an analogy with Marshall amplifiers. Were you saying is that I have a dioptry? Does my hypermetropia prevents me from seeing the smallest, subtlest details? What if I put glasses on? What if a person, who lost the ability to hear delicate sounds, gets himself a BTE aid? Does chamber music played on marshall amplifiers looses its delicate sounds? I know what you wanted to say, but you used a wrong example. My supposed inability to appreciate delicate subtlety wouldnt be a consequence of amplifiers, it would be a result of unsubtle rock music itself. It wouldnt be the loudness of amplifiers that would damage my ability to hear, it would be the lack of artistic integrity of rock music itself that would demolish my aesthetic criterias, no matter what the loudness of it. My level of intellectuality, my lack of emotional maturity, my low aesthetic comprehensiveness would prevent me to detect subtleties, not my physical limitations.I dont think thats the case tho, I am an aducated artist so you too can stop labeling me with premade stereotypes. There is always a possibility that I might be wrong, but I surely cannot be reduced to some random simpleton whoose opinions grew out of trash of western entertainment industry (since you mentioned Bisley, loud concerts, etc.). I can analyze my opinions.Regarding your current topic, I consider Rembrandt a genius, I love his drawings and I mentioned that in your previous topic. Drawings of Rembrandt, Matisse, Picasso have nothing in common with student work from your previous topic. My camera cannot capture the emotional, atmospheric, expressive quialities of these great artists, but It can capture the emptiness and stiffness of those students studies. The fact that those student drawings were drawn in a certain style of the time, it does not mean that this learnable methodological approach those students took, should also be translated as truly emotional. Rembrandt felt what he saw, while those students didnt trully feel - they liked how drawings of people who truly feel look like, so they imitated the visual appereance of those drawings. When it comes to great artists there is a substance under their personal style, something living under the shell, but when it comes to that student work, all I can see is a style, a shell, whith nothing alive inside. Thats what cameras can capture without a problem. Not the style, but the lack of liveliness.
Lipov, I would be the biggest douchebag of all if I used this post as a counterattack on comments that you or Reid or others made on the last post. I have not been in a position to respond further to those comments or to post anything new for a couple of weeks, but I wasn't trying to abandon the topic and I am back now. When I dropped out of that dialogue I was frustrated by the limitations of the blog comment format, especially our inability to heap a lot of images on the table (as they seemed more relevant than the words we kept trading). Today's selection of images was in part to slake that thirst, but if truth be told the vast majority of these posts (including this one) begin with a simple urge to share some really cool pictures. This was not an effort to get the last word.Whether you take my Marshall amplifier analogy literally (to suggest physical impairment) or metaphorically (to suggest cultural desensitization), I think it is fair to say that the aesthetic of our age is one of souped up expectations. These expectations make it difficult for the quieter, subtler art forms to retain an audience. I agree that I was wrong to presume this was the explanation for your position without knowing more about you. I do think your insistence that an artist must capture something "more" than the subtle curve of a neck or the taper of a limb is consistent with the group that needs blinking lights and dolby sound on their art. I don't draw the same line you do between Matisse and the Bridgman students. Sure, I know which one I'd prefer to hang on my wall, but they both seem to me to be legitimate parts of that torrent of images of our form through the ages ("all this juice...").
"""I do think your insistence that an artist must capture something "more" than the subtle curve of a neck or the taper of a limb is consistent with the group that needs blinking lights and dolby sound on their art."""I guess I still havent manage to explain myself. "Something more" is not necessarly a philosophical or political implication, "something more" could just as well be found in a depiction of a human limb. I like how Rembrandt drew branches in the wind and wrinkes on the water, there is nothing philosophical or political about it. Its just a drawing of a plant. But while everyone can draw branches pointing to the left and circles on the water, Rembrandt manages to make you feel the light breeze that is leaning the branches, he makes you hear the sound of a river running. His line feels organic, his figures look alive. Those student drawings look like dead observational drawings, factological depictions of some objects that happen to look like humans. They could just as well be refrigerators. I dont see any subtle curves of a neck, I see curves that form a neck. The curves are drawn in a certain style that is trying to offer us a sense of gracefulness, or gentleness, a bit of romantic poeticization. They could use the same approach on a refrigerator, the same gentle lines, soft shading, the same style that those drawings have, and the refrigerator would end up looking just as "subtle" as those nudes. They lack the sense of inner life. I have nothing against subtle curves of a neck as long as they are in fact subtle. Photorealistic representation and stereotypic style does not equal emotional subtlety in my book.I dont think its me that needs blinking lights and dolby sound on their art, I think some of you are not capable of distinguishing the offects or tricks that draftsmanships methodologies use to emulate the true, sincere characteristics. 2ff7e9595c
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